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The site is one of the many sites seen along the channels of the ancient Saraswati riverine systems, now represented by the seasonal Ghaggar River which flows in modern Haryana from Nahan to Sirsa. Excavations[ edit ] The Excavation Branch-I, Nagpur of the Archaeological Survey of India excavated this site for three field seasons during , —05 and Several publications have been written on it by Rao et al. The excavation has revealed the remains of the Harappan culture right from its nascent stage, i. Prior to the excavation of Bhirrana, no Hakra Wares culture, predating the Early Harappan had been exposed in any Indian site. For the first time, the remains of this culture have been exposed at Bhirrana. This culture is characterised by structures in the form of subterranean dwelling pits, cut into the natural soil. The walls and floor of these pits were plastered with the yellowish alluvium of the Saraswati valley. The artefacts of this period comprised a copper bangle, a copper arrowhead, bangles of terracotta, beads of carnelian, lapis lazuli and steatite, bone point, stone saddle and quern. The entire site was occupied during this period. The settlement was an open air one with no fortification. The houses were built of mud bricks of buff colour in the ratio of 3: The pottery of this period shows all the six fabrics of Kalibangan - I along with many of the Hakra Wares of the earlier period. The artifacts of this period include a seal of quarter-foil shape made of shell, arrowheads, bangles and rings of copper, beads of carnelian, jasper, lapis lazuli, steatite, shell and terracotta, pendents, bull figurines, rattles, wheels, gamesmen, and marbles of terracotta, bangles of terracotta and faience, bone objects, sling balls, marbles and pounders of sandstone. Early Mature Harappan Culture: This period is marked by transformation in the city lay-out. The entire settlement was encompassed within a fortification wall. The twin units of the town planning; Citadel and Lower Town came into vogue. The mud brick structures were aligned with a slight deviation from the true north. The streets, lanes and by-lanes were oriented in similar fashion. The pottery assemblage shows a mixed bag of Early Harappan and Mature Harappan forms. The artifacts of the period included beads of semi-precious stones including two caches of beads kept in two miniature pots , bangles of copper, shell, terracotta and faience; fishhook, chisel, arrowhead of copper; terracotta animal figurines and a host of miscellaneous artifacts. The last period of occupation at the site belongs to the Mature Harappan period with all the characteristic features of a well-developed Harappan city. The important artifacts of the period consisted of Seals of steatite, bangles of copper, terracotta, faience and shell, inscribed celts of copper, bone objects, terracotta spoked wheels, animal figurines of terracotta, beads of lapis lazuli, carnelian, agate, faience, steatite, terracotta and stone objects. The houses were made of mud bricks sun-baked bricks. Wide linear roads can be seen separating the houses. A circular structure of baked earth is probably a "tandoor"- a community kitchen still seen in rural India. Presence of the baked bricks is seen used in the main drain provided on the width of the northern arm of the fortification wall to flush out the waste water from the houses. Dancing girl graffiti[ edit ] Pottery graffiti at Bhirrana show "mermaid" type deities and dancing girls; [1] the latter have a posture so similar to Mohenjo-daro's bronze "dancing girls" that the archaeologist L. Rao stated that "it appears that the craftsman of Bhirrana had first-hand knowledge of the former. Another house had a kitchen, court yards, chullah [i. Faridabad dating girl

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  1. Dancing girl graffiti[ edit ] Pottery graffiti at Bhirrana show "mermaid" type deities and dancing girls; [1] the latter have a posture so similar to Mohenjo-daro's bronze "dancing girls" that the archaeologist L. To use PowerMock, you'll have to download it from Google Code here:

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